108

Pair of Shahsavan Soumac Bags, South Caucasus, ca. 1875

the larger: 2 ft. 2 in. x 2 ft. 1 1/2 in.
the smaller: 2 ft. x 2 ft.

  • Provenance: John C. Edelmann Galleries, New York, 25 October 1980, Lot 125.
  • Literature: Eiland, Murray. Oriental Rugs from Pacific Collections. San Francisco Bay Area Rug Society: San Francisco, 1990, pl. 195.
  • Notes: [ Pacific Collections caption]
    195. FLATWOVEN BAGFACE, probably southern Caucasus, 19th century, 23 1/2 x 24". The border stripes are typical of Shahsavan work, although the medallion is slightly unusual. WARP: wool, 2 strands, Z-spun, S-plied. WEFT: ground weft with supplementary soumak weft wrapping, over two warps and under one. EDGES: overcast of multicolored wool. ENDS: red weft-faced plain weave. COLORS (1): brick red, dark and light blue, green, yellow, ivory, purple, peach, brown-black, deep brick red. FROM THE COLLECTION OF: Linda and Ralph Kaffel. Selected by Alan Marcuson.

    [Ralph's commentary] These two bags are extremely finely woven and possess glowing saturated colors. Murray Eiland remarked in his Pacific Collections caption for one of these bags that "the medallion is slightly unusual". He was probably referring to the elongated proportions of the octagon. The gul is contained in an ivory octagon which is itself contained in a red octagon on a star-spangled indigo field. The combination of green and aubergine within the medallion is unusual as well. Both borders are typical of Shahsavan work. The closest comparison that I have found to the design in the field is a pair of bags published in Bausback's Kelim, plate 122 and 123, which Peter Bausback dates to the 1st half of the 19th c., but the guls do not have the elongated proportion of our pieces.
  • Condition: Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.

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