4

Mujar Prayer Rug, Central Anatolia, ca. 1800-25

4 ft. 7 in. x 3 ft. 10 in.

  • Provenance: Sotheby's New York, Carpets and Textiles from Distinguished Collections, 31 January 2014, Lot 116.
  • Literature:
    - Jenkins, Donald. Near Eastern Art in Chicago Collections. "Mr. and Mrs. B.C. Holland Collection." The Art Institute of Chicago: Chicago, 1974, no. 10.
    - Hali 179. "Auction Price Guide." Hali Publications Ltd: London, 2014, p. 13.

    Exhibitions: The Art Institute of Chicago, Chicago, Illinois, Near Eastern Art in Chicago Collections, November 17, 1973- January 30, 1974, cat. no. 10.
  • Notes: A rare type of Mujur prayer rug from the collection of Dr. William T. Price of Amarillo in Texas, which was exhibited at the Art Institute of Chicago in 1973/74 when it was the property of Mr. and Mrs. B.C. (Bud) Holland ( Near Eastern Art in Chicago Collections, no. 10). As far as we know, there are only two directly comparable pieces. The closest comparison, in which the central column is flanked by two shorter columns, is at the TIEM in Istanbul ( Turkish Handwoven Carpets 4, no. 0398). Other than this difference the design of the two rugs is virtually identical, including the border of linked hexagonal cartouches containing florets, the flowerhead motif of the interior guard borders, and similar motifs in the spandrels. This cartouche border is extremely rare in Mujur prayer rugs, but characteristic of the ‘Transylvania' genre. The second comparable rug is published in Georg Butterweck & Dieter Orasch, Handbook of Anatolian Carpets/Central Anatolia, p. 121, described by the authors [as] "a remarkable piece woven by Christian weavers in the Mujur region." The design of the main border consists of rounded cartouches, typical of Konya rugs (see Belkis Balpinar & Udo Hirsch, Vakiflar/Carpets, 1988, pl.70).
  • Condition: Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.

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